The Smiths

The Smiths are often described as the most important band of the 1980s that never truly "went mainstream" in the traditional sense. It was a brief, five-year flash of fame from 1982 to 1987. 

The band was formed when guitarist Johnny Marr knocked on the door of Morrissey, a shy, bookish writer in Manchester. Along with bassist Andy Rourke and drummer Mike Joyce, they created a sound that systematically dismantled the synth-heavy, glitzy "New Romantic" pop of the era.

The band got its name from lead singer Morrissey. He chose "The Smiths" because it was a very ordinary, common name, a deliberate contrast to the more flamboyant and elaborate band names popular in the 1980s. He wanted the name to represent "ordinary folk."

In just five years, they released four studio albums—The Smiths, Meat Is Murder, The Queen Is Dead, and Strangeways, Here We Come—plus several legendary compilations. They stayed on an independent label (Rough Trade), maintained complete control over their iconic "indie-film" cover art, and famously refused to use synthesizers, relying instead on Marr's "jangle-pop" guitar layers.

The Smiths were the first "indie" band to prove you could be uncompromising, literate, and deeply depressed, and still be popular.

Like many great partnerships, the tension between the "moping" poet (Morrissey) and the musical architect (Marr) became unsustainable. They split in 1987 at the height of their powers, famously never reuniting since.

Part of their appeal is in the way the music sounds like a sunny afternoon, but the lyrics feel like a rainy midnight. Morrissey gave a voice to the shy, the alienated, and the "clumsy and shy." He made it fashionable to be bookish and miserable, often using sharp, dark humor to poke fun at his own despair.

Johnny Marr provided the genius. His style was intricate and melodic, often sounding like multiple guitarists playing at once. You could dance to songs or just listen to the lyrics about loneliness.

In an era of big hair and aggressive masculinity, they celebrated a "genderless" or soft-focus version of rock that paved the way for Britpop and modern Indie.

Picking "bests" is a loser's game, but you can always list favorites. Here are 5. Feel free to comment on your own favorites.

"There Is a Light That Never Goes Out" (1986) Widely considered the band’s masterpiece, this track from The Queen Is Dead perfectly balances Johnny Marr’s lush, cinematic arrangement with Morrissey’s lyrics about romantic devotion. It’s the ultimate "morbidly romantic" anthem.

"How Soon Is Now?" (1984)  Originally a B-side, this song became the band's most recognizable hit globally. It features an iconic, pulsing tremolo guitar effect that was unlike anything else in the 80s. Lyrically, it’s the definitive anthem for anyone who has ever felt like an outsider at a club: "You go and you stand on your own, and you leave on your own..."

"This Charming Man" (1983)  The song that truly introduced the world to the "Smiths sound." It’s upbeat, jangly, and remarkably catchy, featuring one of Johnny Marr’s most celebrated guitar riffs. It captured the band's unique blend of sexual ambiguity and kitchen-sink realism.

"Please, Please, Please Let Me Get What I Want" (1984). At under two minutes, this is one of the shortest songs in their catalog, but also one of the most poignant. It’s a simple, mandolin-heavy plea for a break in life that has resonated in countless movie soundtracks (most notably Ferris Bueller's Day Off and 500 Days of Summer).

"Heaven Knows I'm Miserable Now" (1984). This song title became a shorthand for the band's entire persona. It’s a witty, ironic take on the drudgery of daily life and the feeling of being unhappy even when things are technically "fine."

Why Are TV Pilots Called Pilots?

"Pilot” is a word most often associated with a person who flies a plane. It can be used as a verb meaning “to act as a guide to” or “to set the course of,” which makes sense with the airplane pilot theme.

 "Pilot" originally comes from the Greek pedon, meaning “steering oar.” It has been used in English as a verb in the sense of guiding direction as far back as the 1510s. Around 1907, it became a noun meaning “one who flies an airplane.” 

The phrase “pilot studies” is common in the field of research to determine the feasibility of a scientific theory. 

Less clearly, it can also be used to describe the first episode of a TV series.

The OED's earliest example dates to a 1953 edition of Sponsor magazine (aimed at TV advertisers). “As an indication of new show costs, the pilot for ABC’s new Danny Thomas situation-comedy film came to a higher tab than I Love Lucy.” 

Why are these TV episodes called "pilots"? It is another etymological mystery. I couldn't find agreement on an origin. They do seem to be designed “to set the course of” the series. They are a kind of “test flight” for the show's concept. They are similar to a “pilot study."

The TV industry has a "Pilot Season," which is the annual time for testing new show ideas. It traditionally was from January to April, but streaming services have disrupted this rhythm, producing pilots year-round. A pilot episode is a standalone sample for a potential series. networks use them to decide which ones get picked up for full seasons. Some of these pilots never get picked up, and that one episode is all there is of the concept, and they are never seen by the public. 

Writers pitch ideas in summer, networks order scripts in fall, pilots are filmed in winter and executives review and choose which shows to greenlight by spring. These pilot episodes are often quite different from the rest of the series, as the writers are figuring out the concept. 

Why are these TV episodes called "pilots"? It is another etymological mystery. I couldn't find agreement on an origin. They do seem to be designed “to set the course of” the series. They are a kind of “test flight” for the show's concept. They are similar to a “pilot study."

Watch the pilot for Seinfeld (a series I love), which was when the series was going to be called "The Seinfeld Chronicles," and you'll see many differences.

For example, the pilot features a waitress named Claire instead of Elaine Benes. Elaine was added later to balance the cast with a stronger female presence. Kramer’s name was originally “Kessler” due to legal concerns about using the real name of Larry David’s neighbor. The quirky traits that define Kramer were also less pronounced. George is more of a neurotic Woody Allen type in the pilot, rather than the Larry David-inspired character he becomes later. Instead of Monk’s Café, the gang hangs out at a generic luncheonette. The pilot leans heavily on Jerry’s stand-up routines to frame the story. It lacks the interwoven plotlines and ironic twists that later became signature to the show’s storytelling. The dialogue is slower, the humor more subdued, and the overall vibe more conventional than the sharp, self-aware rhythm that defined later episodes.

In the Nick of Time

Sometimes I come across an origin story that makes me shake my head and wonder, "Is this for real?" That was how I felt when reading about the phrase “In the Nick of Time” which has come to mean an action performed just before it is too late. 

It seems to have originated in the 18th century. People kept track of the money they owed to creditors with a stick - a tally The stick was carved with the number of days you had until the loan was due. If you paid before the last nick, then you didn’t owe interest on the debt. You made it in the nick of time.

Loanwords and Other Borrowings

I have posted a series of articles here recently about the words that have entered English from French, a process that began with the French-Norman conquest of England in 1066. Some people might refer to those words as "loanwords." But are they loanwords? 

A loanword is a word at least partly assimilated from one language (the donor language) into another language (the recipient or target language), through the process of borrowing. 

"Loan" or "borrow" may seem like odd descriptive words considering that nothing is taken away from the donor language and there is no expectation of returning anything, as in our typical usage of those words.

I had to research the term, and it gets more complicated. Loanwords may be contrasted with calques, in which a word is borrowed into the recipient language by being directly translated from the donor language rather than being adopted in (an approximation of) its original form. 

Some calques in English:
A word, skyscraper, from French gratte-ciel, literally to “scrape-sky.
A phrase, "moment of truth" from Spanish, "el momento de la verdad," meaning a critical turning point.
Superman comes from the German Übermensch, a Nietzschean concept, that later becomes the comic hero.
Brainwashing originates with the Chinese xǐnǎo (洗脑), literally translated as “wash brain.” 
Adam’s apple is a Latin borrowing of pomum Adami, a Biblical reference to the forbidden fruit.

The word "loanword" is itself a calque from German lehnwort, meaning a word borrowed from another language.

We also distinguish loanwords from cognates, which are words in two or more related languages that are similar because they share an etymological origin in the ancestral language, rather than because one borrowed the word from the other.

Here are a few -
          English  | Cognate Language  |  Cognate Word and Meaning

• Animal Spanish/French animal A living creature
• Hospital French/Spanish hôpital / hospital Medical facility
• Family French/Spanish famille / familia Group of related people
• Minute French/Spanish minute / minuto Unit of time
• Telephone French/Spanish téléphone / teléfono Communication device

Examples of loanwords in the English language:
 café (from French café, which means "coffee"), bazaar (from Persian bāzār, which means "market"), and kindergarten (from German Kindergarten, which literally means "children's garden"). 

Here's an oddity - the word calque is a loanword, while the word loanword is a calque
Calque comes from the French noun calque ("tracing; imitation; close copy"). Loanword and the phrase loan translation are translated from German nouns Lehnwort and Lehnübersetzung (German: [ˈleːnʔybɐˌzɛt͡sʊŋ]

Loans of multi-word phrases, such as the English use of the French term déjà vu, are known as adoptions, adaptations, or lexical borrowings.

Although colloquial and informal register loanwords are typically spread by word-of-mouth, technical or academic loanwords tend to be first used in written language, often for scholarly, scientific, or literary purposes.

Pen Names

Pseudonyms are "false" names or names that are not the true (given) names of an individual. They are one of a larger group of -onyms and -nyms (like synonyms and antonyms) in English - many more than we were taught in school.

Pseudonyms, when used by an author, are called pen names.

Some Famous Pen Names

Richard Bachman is Stephen King, 20th century American horror author

Acton Bell, Currer Bell, and Ellis Bell were the names used by Anne Brontë, Charlotte Brontë, and Emily Brontë

Mary Westmacott is Agatha Christie, 20th century British mystery writer

Anthony Burgess is John Burgess Wilson, 20th century British writer, author of A Clockwork Orange.

Lewis Carroll is Charles Lutwidge Dodgson, 19th century British author, mathematician, known best for Alice's Adventures in Wonderland

Sue Denim is used by Dav Pilkey, a writer and illustrator of the popular "Captain Underpants" children's book series and is also used by science fiction writer Lewis Shiner. Sue Denim is a parody of the word pseudonym itself.

Isak Dinesen (Karen Blixen), 20th century Danish author of Out of Africa

H.D. (Hilda Doolittle), 20th-century American poet, novelist and memoirist

George Eliot (Mary Ann Evans), 19th-century English novelist

C. S. Forester (Cecil Smith), 20th-century writer of the Captain Horatio Hornblower novels and The African Queen

O. Henry (William Sidney Porter), American author of short stories and novels

Hergé (Georges Remi), 20th-century Belgian comics writer and artist, famous worldwide for creating the Tintin series of books

Ann Landers (Esther Pauline Friedman), and Abigail Van Buren/Dear Abby (Pauline Esther Friedman Phillips), advice columnists

Stan Lee (Stanley Martin Lieber), comic book pioneer & Spiderman creator

Molière (Jean Baptiste Poquelin), 17th-century French theater writer, director and actor, and writer of comic satire.

George Orwell (Eric Arthur Blair), 20th-century British author of Animal Farm and 1984

Ellery Queen     Frederic Dannay, and Manfred B. Lee shared this pen name for their 20th century detective fiction

Saki (Hector Hugh Munro), 20th-century British short story writer and satirist

George Sand (Armandine Lucie Aurore Dupin), 19th-century French novelist and early feminist

Dr. Seuss (Theodore Seuss Geisel), also used "Theo. LeSieg", 20th-century American writer and cartoonist best known for his books

Lemony Snicket is the listed author of A Series of Unfortunate Events but is really the pen name of Daniel Handler

Stendhal (Marie-Henri Beyle), 19th-century French writer

Mark Twain    Samuel Langhorn Clemens (also used "Sieur Louis de Conte" for his fictional biography of Joan of Arc) 19th-century American humorist, writer and lecturer

Voltaire (François-Marie Arouet), 18th-century French Enlightenment writer, deist and philosopher.