Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

08 July 2026

Baby Names from TV and Film: 1980s - 2010s

Continuing our baby names timeline, we find that many baby names between the 1980s and 2010 saw major spikes specifically because of TV characters, actors, and film/pop‑culture phenomena.  

1980s: Soap operas, sitcoms & the rise of surname‑style names.

Ashley — Huge spike; reinforced by The Young and the Restless soap opera and rerelease of Gone With the Wind nostalgia.

Taylor was also boosted by soap characters and the surname‑as‑first‑name trend.

Madison — Splash (1984) is the direct cause of this name’s rise; it barely existed before the film.

Jordan rose due to sports culture (Michael Jordan) and TV usage.

Jennifer continued its dominance from 1970s pop culture and TV.

Jessica got some reinforcement from the sexy Who Framed Roger Rabbit Jessica Rabbit and TV characters.


Brandon Walsh (Jason Priestley) Dylan McKay (Luke Perry)

The 1990s name spikes came from teen dramas, Disney, sitcoms & multicultural influence. Influencers included Friends, Beverly Hills 90210, Full House, Disney films, and rising pop stars.

Two names from Beverly Hills 90210 were Brandon and Dylan.

Ashley stayed popular and was reinforced by Fresh Prince of Bel‑Air (Ashley Banks).

Samantha was popular in the 1960s from Bewitched but was boosted by Sex and the City (1998).

Chandler came directly from Friends as the name barely existed before the show. Phoebe also saw a rise with Friends.

Ariel spiked after The Little Mermaid (1989) and another Disney-inspired name was Jasmine which saw a huge jump after Aladdin (1992).


Bella Swan (Kristen Stewart) Jacob Black (Taylor Lautner)

In the first part of the 2000s, we saw names from blockbuster films, fantasy franchises such as Harry Potter, Twilight, The OC, Lost, and the explosion of reality TV.

Isabella/Bella shot up because of Twilight (Bella Swan) and Jacob, which is an old Biblical name and popular in Jewish culture for centuries, became the top boy name of the decade, boosted by the  Jacob Black character in the film.

Aiden was a trendy name reinforced by Sex and the City.

Another old-fashioned name, Emma, saw a upick due to actresses (Emma Watson) and pop culture visibility.

Madison continued its post‑Splash dominance.

Logan made the charts, aided by Wolverine/Logan in X‑Men films.

Sawyer from Lost (2004) appeared as a first name. 

Keira jumped into usage because of actor Keira Knightley’s fame.

The 2010s were shaped by Game of Thrones, The Hunger Games, Frozen, Star Wars, and the Marvel universe.


Khaleesi  (Emilia Clarke)  Arya Stark (Maisie Williams)

Arya is one of the biggest pop‑culture name spikes ever, from Game of Thrones. Add to that the very unusual Khaleesi. Invented by Game of Thrones author George R. R. Martin, they became real life baby names.

Elsa took a leap after Frozen (2013).

Rey was added after Star Wars: The Force Awakens (2015).

Luna got attention by Luna Lovegood’s popularity in the harry Potter films.

Harley comes from Harley Quinn’s film resurgence.

Olivia was more popular because of the actresses (Olivia Wilde, Olivia Munn) and TV characters.

01 July 2026

Baby Names from Television Shows: 1950s 1960s and 1970s


In the 1950s, television was still new, but as the decade progressed, a few popular shows had an impact on naming babies. Both the names of TV characters and TV actors saw an increase.

Ricky was popularized by Ricky Nelson on Ozzie and Harriet and by I Love Lucy's Ricky Ricardo and little Ricky. And Lucille Ball’s fame helped keep the name prominent, more often as Lucy (or Lucie after Lucille Ball named her daughter that).

Donna got a boost from The Donna Reed Show (1958).

Annette rose in popularity due to Annette Funicello on The Mickey Mouse Club (1955). Her career in recording albums and Disney and beach party films kept that name going.

Beaver was not widely used as a legal name, but Leave It to Beaver (1957) was a top show and the brothers Theodore and Wally saw bumps in popularity.

The 1960s saw the first major measurable spikes in baby names - particularly for girls - tied directly to TV characters. Search results confirm that celebrity‑influenced names surged most strongly in the 1960s. 

Samantha skyrocketed after Bewitched (1964). Also, the TV baby, Tabitha, from that program started to appear.

Ginger was a popular and glamorous character on Gilligan’s Island (1964).


Maryann, Gilligan, Ginger

Mary and Maryann were already common, but were probably reinforced by Maryann on that same island, and Mary Tyler Moore in The Dick Van Dyke Show, which also gave a boost to her character's name, Laura.

Who wouldn't want the dreamy name Jeannie from I Dream of Jeannie (1965)?

Julia was given attention from Diahann Carroll’s groundbreaking show Julia (1968).

Sean is listed as a boy's name that increased in popularity and is credited to Sean Connery, though he was more of a film star.


Hart as Sabrina

The 1970s were “trendy and TV‑inspired.” This is the decade when TV characters directly shaped the top baby names.

Jennifer was the #1 girl name of the decade, boosted by multiple TV characters, including in the Love Story film, book, and TV adaptations.

Marcia and Cindy from The Brady Bunch (1969) saw increases.

TV characters named Sabrina consistently caused spikes. Sabrina Spellman appeared in the 1960s–1970s as the animated Sabrina the Teenage Witch in early Archie comics and cartoons, and from 1996–2003 in the sitcom Sabrina, as portrayed by Melissa Joan Hart. The character and name moved into the next century with a 1999–2004 animated series with Sabrina as a younger teen.

Cheryl was a popular name, and so was actor Cheryl Ladd (Charlie's Angels) and supermodel Cheryl Tiegs. Later, Riverdale had one of the most recognizable modern “Cheryl” characters.

The old-fashioned 1950s name Laverne even got a little boost from Laverne & Shirley (1976) as did Shirley by the same show.

Rhoda was a character on The Mary Tyler Moore Show and then her own show, Rhoda.

Again, girls' names were more likely to come from TV. Like "Beaver," no one was really naming their little boy "Hawkeye," but Benjamin and Pierce saw bumps due to M*A*S*H (1972).

25 February 2026

Why Are TV Pilots Called Pilots?

"Pilot” is a word most often associated with a person who flies a plane. It can be used as a verb meaning “to act as a guide to” or “to set the course of,” which makes sense with the airplane pilot theme.

 "Pilot" originally comes from the Greek pedon, meaning “steering oar.” It has been used in English as a verb in the sense of guiding direction as far back as the 1510s. Around 1907, it became a noun meaning “one who flies an airplane.” 

The phrase “pilot studies” is common in the field of research to determine the feasibility of a scientific theory. 

Less clearly, it can also be used to describe the first episode of a TV series.

The OED's earliest example dates to a 1953 edition of Sponsor magazine (aimed at TV advertisers). “As an indication of new show costs, the pilot for ABC’s new Danny Thomas situation-comedy film came to a higher tab than I Love Lucy.” 

Why are these TV episodes called "pilots"? It is another etymological mystery. I couldn't find agreement on an origin. They do seem to be designed “to set the course of” the series. They are a kind of “test flight” for the show's concept. They are similar to a “pilot study."

The TV industry has a "Pilot Season," which is the annual time for testing new show ideas. It traditionally was from January to April, but streaming services have disrupted this rhythm, producing pilots year-round. A pilot episode is a standalone sample for a potential series. networks use them to decide which ones get picked up for full seasons. Some of these pilots never get picked up, and that one episode is all there is of the concept, and they are never seen by the public. 

Writers pitch ideas in summer, networks order scripts in fall, pilots are filmed in winter and executives review and choose which shows to greenlight by spring. These pilot episodes are often quite different from the rest of the series, as the writers are figuring out the concept. 

Why are these TV episodes called "pilots"? It is another etymological mystery. I couldn't find agreement on an origin. They do seem to be designed “to set the course of” the series. They are a kind of “test flight” for the show's concept. They are similar to a “pilot study."

Watch the pilot for Seinfeld (a series I love), which was when the series was going to be called "The Seinfeld Chronicles," and you'll see many differences.

For example, the pilot features a waitress named Claire instead of Elaine Benes. Elaine was added later to balance the cast with a stronger female presence. Kramer’s name was originally “Kessler” due to legal concerns about using the real name of Larry David’s neighbor. The quirky traits that define Kramer were also less pronounced. George is more of a neurotic Woody Allen type in the pilot, rather than the Larry David-inspired character he becomes later. Instead of Monk’s Café, the gang hangs out at a generic luncheonette. The pilot leans heavily on Jerry’s stand-up routines to frame the story. It lacks the interwoven plotlines and ironic twists that later became signature to the show’s storytelling. The dialogue is slower, the humor more subdued, and the overall vibe more conventional than the sharp, self-aware rhythm that defined later episodes.





14 August 2025

Bowling for Soup, Sh*t, Dollars and Columbine

The band Bowling for Soup's name originates from a Steve Martin comedy routine, specifically a skit called "Bowling for Shit" from his 1978 album, "Wild and Crazy Guy." 

The band, formed in 1994, initially considered using Martin's title but ultimately opted for Bowling for Soup as a more family-friendly alternative. The "Bowling for Soup" name stuck, despite being initially intended as a joke, because the band couldn't agree on anything better.

Bowling for Soup formed in Wichita Falls, Texas in 1994. The band consists of Jaret Reddick (lead vocals, guitar), Gary Wiseman (drums, percussion), and Rob Felicetti (bass, backing vocals, acoustic guitar). The band is best known for its singles "Girl All the Bad Guys Want", "1985", "Almost", "Punk Rock 101", and "High School Never Ends". The band is also known for performing the theme song for the Disney Channel animated series Phineas and Ferb, which is a bit surprising as most of their albums carry warning labels for language.  Reddick is the only original member as of 2025

Steve Martin was playing off an actual TV game show called Bowling for Dollars in which people could bowl to win cash and prizes. The show was popular in the 1960s and peaked in the 1970s. It was unique in that it differed from most TV game shows of the time, which were taped in either New York or Hollywood and broadcast nationally. Unlike these shows, Bowling for Dollars was produced by local TV stations and featured contestants from the immediate area. The show was actually a franchise, created by Bert Claster of Claster Television, also the creator of Romper Room. Episodes of Bowling for Dollars were taped either in a local bowling alley or on a pair of bowling lanes constructed right inside the TV studio. The show reached its heyday in the 1970s. 


Bowling for Columbine is a 2002 documentary film written, produced, directed, and narrated by Michael Moore. The documentary film explores what Moore suggests are the primary causes for the Columbine High School massacre in 1999 and other acts of gun violence. 

The film's title refers to the story that the two students responsible for the Columbine High School massacre attended a school bowling class at 6:00 AM on the day they committed the attacks at school. Later investigations showed that this was based on mistaken recollections, and it was concluded that they were absent from school on the day the attack took place.


A critical and commercial success, the film brought Moore international attention as a rising filmmaker and won numerous awards, including the Academy Award for Best Documentary Feature, the Independent Spirit Award for Best Documentary Feature, a special 55th Anniversary Prize at the 2002 Cannes Film Festival, and the César Award for Best Foreign Film. The film is widely considered one of the greatest documentary films of all time.